April Workshops
For every class registration member is compulsory: single event € 15,00 or annual € 55,00
If by reason of Act of God, beyond the control of either party, the workshop/s set out above are cancelled, exclusively for reasons attributable to the organization, it is the obligation of the organization itself, repay the entire amount paid for participation.
If you cancel, we regret that Nuova Officina della danza Asd cannot make any refunds. Please make sure that you can make the dates
In accordance with the current Italian laws we need a copy of a current medical certificate stating that you are in good health, before the trimester starting date. In the case of residency abroad, you will be asked to have a medical certificate issued by an Italian doctor here upon your arrival, stating that you are in good health. This will be at your expense.
SHARON FRIDMAN
APRIL 14 - 17
Schedule
Tuesday and Thursday
h: 10,00/13,30 Sharon Fridman class
Wednesday and Friday
h: 9,30/10,45 ballet class with Veli Pekka Peltokallio etra fee € 5,00
h: 11,00/14,30 Sharon Fridman class
Workshop included into NOD International Contemporary dance Program 2019/20 |3rd trimester
Regular fee
€ 180,00 NOD members
€ 219,00 non members rate (V.A.T. included)
MICHEAL LOEHR
APRIL 20 - 30
Workshop included into NOD International Contemporary dance Program 2019/20 |2nd trimester open to 5 external students
Schedule
Monday, Tuesday and Thursday
h: 10,00/13,30 Fabian work out.
Wednesday and Friday
h: 9,30/10,45 ballet class with Veli Pekka Peltokallio
h: 11,00/14,30 Fabian work out.
Regular fee
€ 120,00 1st week
€ 200,00 both week NOD members
€ 244,00 non members rate (V.A.T included)
DOUG LETHEREN
April 29 - May 1st
Mindfulness and Improvisation and the Repertory of Alan Lucien Øyen
photo©Michael Slobodian
Schedule tbc
Regular fee
€ 160,00 NOD members – € 195,00 non-members rate (V.A.T. included)
Description
The workshop will begin with a practice of sensation-based improvisation and exploration of pre-thought impulses for movement. We’ll touch in with our thinking minds and work towards softening the conceptual filter on our own dancing; giving in to direct experience. We’ll aim to feel more, be less inhibited by our thinking minds, and trust in the wisdom of the body and our passion to move.
From here, we’ll put this research into practice with the repertory of Alan Lucien Øyen, drawing on some highly physical material from Bon Voyage Bob, a work created on the Tanztheater Wuppertal Pina Bausch.
